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Hide Final Cut Pro |
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Hide all applications except Final Cut Pro |
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Open the Command Editor |
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Minimize Final Cut Pro |
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Open an existing library or a new library |
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Open the Final Cut Pro Preferences window |
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Quit Final Cut Pro |
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Redo the last command |
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Undo the last command |
Reklama
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Adjust the audio volume across all selected clips to a specific dB value |
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Adjust the audio volume across all selected clips by the same dB value |
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Add the selection to the end of the storyline |
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Add the selected clip to the audition |
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Create an audition with a timeline clip and a duplicate version of the clip, including applied effects |
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Duplicate the selected audition clip without applied effects |
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Create an audition and replace the timeline clip with the current selection |
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Cut the primary storyline clip (or the selection) at the skimmer or playhead location |
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Cut all clips at the skimmer or playhead location |
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Break the selected item into its component parts |
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Change the duration of the selection |
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Connect the default lower third to the primary storyline |
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Connect the default title to the primary storyline |
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Connect the selection to the primary storyline |
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Connect the selection to the primary storyline, aligning the selection’s end point with the skimmer or playhead |
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Copy the selection |
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Create an audition from the selection |
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Create a storyline from a selection of connected clips |
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Cut the selection |
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Cut and switch the multicam clip to angle 1 of the current bank |
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Cut and switch the multicam clip to angle 2 of the current bank |
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Cut and switch the multicam clip to angle 3 of the current bank |
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Cut and switch the multicam clip to angle 4 of the current bank |
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Cut and switch the multicam clip to angle 5 of the current bank |
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Cut and switch the multicam clip to angle 6 of the current bank |
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Cut and switch the multicam clip to angle 7 of the current bank |
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Cut and switch the multicam clip to angle 8 of the current bank |
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Cut and switch the multicam clip to angle 9 of the current bank |
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Delete the timeline selection, reject the browser selection, or remove a through edit |
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Delete the selection and attach the connected clip or clips to the resulting gap clip |
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Deselect all selected items |
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Duplicate the browser selection |
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Enable or disable playback for the selection |
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View audio and video separately for selected clips |
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Expand or collapse audio components for the selection in the timeline |
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Extend the selected edit point to the skimmer or playhead position |
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In the browser list view, add the next item to the selection |
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In the timeline, add the next item to the selection |
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In the browser list view, add the previous item to the selection |
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Dissolve the audition and replace it with the audition pick |
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Insert the selection at the skimmer or playhead position |
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Insert a freeze frame at the playhead or skimmer location in the timeline, or connect a freeze frame from the skimmer or playhead location in the event to the playhead location in the timeline |
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Insert a gap clip at the skimmer or playhead position |
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Insert the default generator at the skimmer or playhead position |
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Lift the selection from the storyline and connect it to the resulting gap clips |
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Lower the audio volume by 1 dB |
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Move the playhead by entering a timecode value |
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Create a new compound clip (if there’s no selection, create an empty compound clip) |
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Nudge the selected audio edit point left by one subframe, creating a split edit |
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Reklama |
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Nudge the selected audio edit point left by 10 subframes, creating a split edit |
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Nudge the selected audio edit point right by one subframe, creating a split edit |
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Nudge the selected audio edit point right by 10 subframes, creating a split edit |
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Nudge down the value of the selected keyframe in the animation editor |
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Nudge the selection one unit to the left |
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Nudge the selection 10 units to the left |
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Nudge the selection one unit to the right |
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Nudge the selection 10 units to the right |
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Nudge up the value of the selected keyframe in the animation editor |
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Open the selected audition |
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Temporarily override clip connections for the selection |
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Overwrite at the skimmer or playhead position |
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Overwrite from the skimmer or playhead position back |
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Overwrite at the skimmer or playhead position in the primary storyline |
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Paste the selection and connect it to the primary storyline |
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Insert the Clipboard contents at the skimmer or playhead position |
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Switch to the previous angle in the multicam clip |
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Switch to the previous audio angle in the multicam clip |
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Select the previous clip in the Audition window, making it the audition pick |
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Switch to the previous video angle in the multicam clip |
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Raise the audio volume by 1 dB |
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Replace the selected clip in the timeline with the browser selection |
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Replace the selected clip in the timeline with the browser selection, starting from its start point |
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Replace the selected timeline clip with a gap clip |
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Select all clips |
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Select the clip under the pointer in the timeline |
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Select the clip above the current timeline selection at the skimmer or playhead location |
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Select the clip below the current timeline selection at the skimmer or playhead location |
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For audio/video clips in expanded view, select the left edge of the audio edit point |
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Select the left edge of the edit point |
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For audio/video clips in expanded view, select the left and right edges of the audio edit point |
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Select the left and right edges of the edit point |
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For audio/video clips in expanded view, select the left and right edges of the video edit point |
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For audio/video clips in expanded view, select the left edge of the video edit point |
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Switch to the next angle in the multicam clip |
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Switch to the next audio angle in the multicam clip |
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Move the playhead and the selection to the next topmost timeline clip in the same role |
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Select the next clip in the Audition window, making it the audition pick |
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Switch to the next video angle in the multicam clip |
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Move the playhead and the selection to the previous topmost timeline clip in the same role |
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For audio/video clips in expanded view, select the right edge of the audio edit point |
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Select the right edge of the edit point |
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For audio/video clips in expanded view, select the right edge of the video edit point |
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Set an additional range selection end point at the playhead or skimmer location |
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Set an additional range selection start point at the playhead or skimmer location |
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When an edit point is selected, show or hide the precision editor |
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Turn snapping on or off |
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Solo the selected items in the timeline |
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Turn on audio/video mode to add the video and audio portion of your selection to the timeline |
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Turn on audio-only mode to add the audio portion of your selection to the timeline |
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Turn on video-only mode to add the video portion of your selection to the timeline |
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Replace the selected captions with abutting single-line captions, one for each line of text in the original captions |
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Switch the multicam clip to angle 1 of the current bank |
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Switch the multicam clip to angle 2 of the current bank |
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Switch the multicam clip to angle 3 of the current bank |
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Switch the multicam clip to angle 4 of the current bank |
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Switch the multicam clip to angle 5 of the current bank |
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Switch the multicam clip to angle 6 of the current bank |
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Switch the multicam clip to angle 7 of the current bank |
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Switch the multicam clip to angle 8 of the current bank |
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Switch the multicam clip to angle 9 of the current bank |
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Turn on or turn off the ability to build storylines when dragging clips in the timeline |
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Trim the end of the selected or topmost clip to the skimmer or playhead position |
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Trim the clip start point to the skimmer or playhead position |
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Trim clip start and end points to the range selection |
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Connect a basic lower-third title to the primary storyline |
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Connect a basic title to the primary storyline |
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Add the default audio effect to the selection |
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Add the default transition to the selection |
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Add the default video effect to the selection |
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Reset the controls in the current Color Board pane |
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Switch to the Color pane in the Color Board |
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Switch to the Exposure pane in the Color Board |
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Switch to the Saturation pane in the Color Board |
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Copy the selected effects and their settings |
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Copy the selected keyframes and their settings |
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Cut the selected keyframes and their settings |
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Turn Balance Color corrections on or off |
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Match the sound between clips |
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Match color between clips |
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Navigate to the next text item |
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Paste selected attributes and their settings to the selection |
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Paste effects and their settings to the selection |
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Paste keyframes and their settings to the selection |
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Navigate to the previous text item |
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Remove selected attributes from the selection |
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Remove all effects from the selection |
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Show or hide the retime editor |
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Set the selection to play at normal (100 percent) speed |
What is your favorite Final Cut Pro X hotkey? Do you have any useful tips for it? Let other users know below.
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